| 1 | Liturgies of imposture:ritual and reality as rile play in GenetÔÇÖs plays | |
| 2 | ||
| Language: | English | |
| Shodhganga | ||
| 3 | Beaten but not down: representation of women in the plays of Kalidasa and Kamasutra | |
| 4 | Treatment of music in natyasastra and its application in Sanskrit plays | |
| Language: | English | |
| Shodhganga | ||
| 5 | ||
| 6 | A critical study of `Haves` and `Haves` not in the plays of John Galsworthy | |
| Language: | English | |
| 7 | ||
| Shodhganga | ||
| 8 | ||
| Language: | English | |
| 9 | ||
| 10 | ||
| Language: | English | |
| 11 | Becket Theme in the plays of Tennyson, T.S.Eliot, Christopher Fry's and Jean Anouilh | |
| 12 | ||
| Language: | English | |
| 13 | ||
| 14 | ||
| Language: | English | |
| 15 | ||
| 16 | ||
| Language: | English | |
| 17 | ||
| 18 | Innovative themes and techniques in the plays of Mahesh Dattani | |
| Language: | English | |
| 19 | ||
| 20 | ||
| Language: | English | |