KANGRA KA LOK SANGEET: EK VISHLESHNATMAK ADHYAYAN
NATURE AND THE PLACE OF PICTURES BASED ON RAGAS IN SHRI GURU GRANTH SAHIB AND ITS AFFINITY WITH THE
MUSICAL PREFERENCE IN RELATION TO DISCRIMINATION BETWEEN NOTES AND CERTAIN PSYCHOLOGICAL VARIABLES
MUGHAL KALIN GAYAN-VADAN SHAILAYAN KI UTPATI AUR VIKAS
SAKHI SAMPRADAYA KI RASOPASANA MEIN SANGEET KA SWAROOP
MANSIK ROG MONOVIKSHIPTATA MEIN SANGEET CHIKITSA KI SAMBHAVNAYE EVA-M UPADEYATA
KANDA KI PARIVARTIT ROOPREKHA
CHAMBHA KE LOKSANGEET KA SANGEETATMAK ADHAYAN
KIRYATMAK PAKSH KI DARISTI SE HINDUSTANI SHASTRIYA SANGEET AVEM KARNATKA SANGEET KI PARSAPRIK SAMBAD
VIDYAPATI KI PADAVALI KA SANGEETIK DHRISHTI SE SAMIKSHATMAK ADHAYAN
ADHUNIK KAL MEIN SHASTRYA SANGEET KI SATAR VARDHI MEIN SAHAYAK TATVOIN KA MULYANKAN
ADHAYATMIK TATVOIN SE PRERIT KE LOKSANGEET MEIN SANGEETIK TATVOIN KIANVESHAN
PINGAL SHASTAR AUR UTTAR BHARTIYA VADH SANGEET KE SARANCHNATMAK TATAV
VARATMAN SAMAJOK PARIVARTIT PARIPREKSHIYA MEIN SHASTRIYA SANGEET KE VIKAS KA SAMIKSHATMAK ADHAYAN
RASTRIYA EKTA KE SANDARBH MEIN BHARTIYA LOK SANGEET KI BHOOMIKA:EK VIVECHANATMAK ADHAYAN
BHARTIYA SHASTRIYA SANGEET MEIN RAG, RAS VE SAMYA SIDHANT KA CHINTAN
SANGEET SHIKSHAN MEIN SANGEET KE ADHAYATMIK AVEM MANOVAIGYANIK PAKSHKE UPADEYATA
NAND DAS KE BHARMAR GEETON KA SANGITIK VEVACHAN
TRADITION AND TEXTUAL EVIDENCE OF MUSIC OF HARYANA AND PUNJAB
STUDY INTO RELATIONSHIP OF MUSICAL PREFERENCES WITH THE PERSONALITY TRAITS OF THE INDIVIDUAL (PUNJA