Look back at anger: Agit Prop Theatre in Britian 1960s to 1990s: A reassessment and a redefinition
Boundaries of performance: ritual and Agit-Prop theatre: a case study of Safdar Hashmi's Samrath ko nahi dosh Gosai and Howard Brenton's Hitler dances
Look back at anger: Agit Prop theatre in Britain(1960s to 1990s)
