| 1641 | Paintings in the Hindu Monastic establishments in the Paunjab plains |
| 1642 | |
| Language: | English |
| 1643 | |
| 1644 | |
| Language: | Hindi |
| 1645 | |
| 1646 | |
| Language: | English |
| 1647 | |
| 1648 | |
| Language: | English |
| 1649 | |
| 1650 | critical and comparative study of Indian music and the music of the Middle-East |
| Language: | English |
| 1651 | Evolution of raga and tala in Indian music upto the 13th Century A D |
| 1652 | |
| Language: | English |
| 1653 | |
| 1654 | female figure in the art of Ajanta, Ellora and Elephanta caves |
| Language: | English |
| 1655 | Sculptures of the Ganga-Jamuna valley, Circa A D 750-A D 1200 |
| 1656 | |
| Language: | English |
| 1657 | Ajaygarh aur Kalanjar kee murtikala ka alochanatmak adhyayan |
| 1658 | |
| Language: | English |
| 1659 | |
| 1660 | Blending of East and West in the painting of Amrita Sher-Gill |
| Language: | English |