Gwalior Ki Khyal Gaeeki-parmpara Aur Bala Saheb Poochvale Ka Yogdan
Significance of nyasa in the performance of a raga in Hindustani Classical Music
Critical study of the style and techniques of Sitar in Madhubani Gharana
Impact of Hindustani Classical Music on music and musicians of Bangladesh
Comparative study between Thailand and Indian Classical Music
Sangeet awam manovigyaan: Parivartan tatha prabhav ki satatt prakriya
Beesavin shatabdi mein Sarod awam unki vaadan shailliyan
Kriyasidh kalakaar ke sandharbh mein Guru-Shishya parampara awam sansthaagat sangeet shikshan vyavasthaa ka vishleshnaatmak adhyayan
Study of the lesser known forms of Hindustani Classical vocal music
Role of criticism in performing arts, with special reference to Hindustani Music
Hindustani sangeet ke sandarbh mein Kaku ka adhyayan
Pandit Amarnath - Vyaktittva awam kritittva
Vagyakaar ke shasttrokt lakshno ke prakaash mein beesveen shatabdi ke pramukh rachnakaron ki rachnayain: Ek vishleshnatmak adhyayan (Khyal gaye vid
Adhuna kaleen Uttar bharatiya shikshan paddhati mein sangeet ka sthaan: Ek adhyayan
Adhunik tantra vadhyon (Prahaargat) ke kramik vikas mein pramukh Veenaon ka prabhav
Comparative study of aesthetic factors between Indian Classical Music and Japanese Classical Music
Hindustani Sangeet mein Mewati Gharane ka yogdan
Vibhin granthon ke adhaar par ragadhyan awam ragamala chitron mein paarsparik sambandh
Sangeet, aadhyatma awam manav nadi-tanttra
Development of Hindustani Classical Music in Mauritius from 1960 onwards